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Cannes Film Festival It is from this position of relative enlightenment that Nichols approaches the true story of “the Loving couple,” a film of utmost sensitivity, but not nearly enough outrage, secure in its position vis-à-vis the bigotry that dominated before America’s Civil Rights revolution.

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In the half-dozen years since his breakthrough performance in Ozzie crime-family opus “Animal Kingdom,” Edgerton has demonstrated nothing short of full actorly commitment to a series of demanding roles.

Until now, what he has never seemed capable of doing is fully relaxing into the skin of another character, and yet, under Nichols’ direction, he disappears into the role of Richard Loving.

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